i’ve been thinking a lot about glasses these days; glasses as a fashion accessory, as a necessity, as a signifier of intelligence, desireability, gender or class. what do your glasses say about you? as someone who has worn glasses since two thirds of my life, how strange is it to hear people with perfect vision say they “wish” they needed glasses? how differently do i feel about wearing glasses now, as a young professional woman, than i did when i was a young girl? i’ve written about it before, but it shouldn’t surprise me that i have a lot of thoughts and feelings about something i choose to wear every single day.
vision as represented in photography has really been ringing my bell these past few months. i recently rewatched two old favourites of mine this past week, man with a movie camera (1929) and la jetée (1965). thinking about the camera as almost a pair of glasses for the viewer, permitting the audience to see things in a clearer way – or even, to see things they would otherwise never be able to.
i’ve also kind of been completely besotted with surrealist photography, something i knew very little about before this summer thanks in part to a fantastic exhibition on at the musée national des beaux-arts du québec right now. to be honest i’ve never been too smitten with the surrealist movement more generally, but this exhibition has offered a different perspective… thinking about the possibilities the early days of accessible photography provided, combined with an incredible cocktail of creative uppity artists and feminists makes my heart beat just a bit faster.
a new pair of frames are in the mail, and i’ve got some other thoughts about glasses stores i’m slowly but surely processing. in the meantime, here is some eye-candy: literally.
Vertov, a Soviet film director, redefined the medium of still and motion-picture photography through the concept of kino-glaz (cine-eye), asserting that the recording proficiency of the camera lens made it superior to the human eye. In a double image in Chelovek s kinoapparatom (Man with a Movie Camera), the eye is superimposed on the camera lens to form an indivisible apparatus fit to view, process, and convey reality, all at once.
as always, click the photos for more details and links!