Tag Archives: racism

Material Mayhem

The month of May was one filled with more stories about the fashion industry’s failings than you could shake a stick at. It felt daunting to attempt to keep up with it all. And now that we’ve turned the page on the calendar month, the momentum to keep these important conversations going is dwindling. 

Then, I recognized I had barely made a peep about it here, on what I often refer to as “my real blog.” I’ve written about it a bit all over the place, but without any sort of cohesiveness. I am trying to resist the urge to share thoughts constantly, as they pop into my mind, to share them in the endless streams on Twitter or Facebook. For equal parts archival purposes, I’ll post longer versions of conversations. Let’s begin with something I shared on Facebook on May 24th:

Frustration of the month: the desire to publicly criticize clothing companies whose policies you disagree with – but would never shop at in the first place. I’m very happy to see people think critically about clothing brands, but can’t help but wonder what the end result is. Whether it be American Apparel, Abercrombie & Fitch, Urban Outfitters,  Joe Fresh… I have been seeing this ad nauseum in my Facebook and Twitter feeds.


Thing is, the people sharing these links are overwhelming the people who have never/would never shop there in to begin with. The main criticism seems to be about size availability, or explicitly sexist marketing/branding. Are these the most “popular” reasons to criticize a brand? Why aren’t we lauding the companies and brands that we believe do a good job? That design and sell quality products, and respect their workers?


Why do we spend so much time and energy in attempts to hold the white male CEOs of shitty brands to account, when they’ve built their empires on these very same toxic attitudes?


Wouldn’t you rather laud brands who have challenged those notions?

You can read what my very smart readers had to say by visiting my Facebook page. What do you think? 

Leave a comment

Filed under Uncategorized

Questioning the Meaning of “Ethical” Fashion

In late April, I received a thoughtful email from a long-time reader, and asked if I could share it and answer it publicly:
Hello Julia,

My name’s Dawn and I’ve been reading à l’allure garçonnière for years as well as following on LiveJournal for some time. I am writing to you today because I’m attempting to practice more of what I preach and end my support of clothing companies that sell pieces made in sweatshops as well as contribute to many societal issues.

My question is: do you just shop thrifted and vintage for everything? When I attempt to do that, I still feel that I struggle with finding non-Gap, H&M, Urban Outfitters, etc. brand clothing that was made in a way that I don’t want to support. Do you ever support some of these brands that you know use unethical business practices if the items are second-hand? Do you also support newer brands, and if so, have you ever shared which you do in a blog post or on a list somewhere? Do you have a knowledge base of brands that treat/compensate their employees ethically/don’t contribute to our mainstream warped views of beauty or do you do research before new purchases? (Sorry, that was a few questions in a row!).

I feel that finding new clothing that is made in a way that I support ethically is sometimes near impossible, and when it is it’s generally well out of my price range. As much as I’d love to deck myself out in sparkly couture that’s not my reality right now.  Also curious about everyday clothing items like bras/underwear, socks, tights, shoes, etc. I imagine finding some of these used might be tough (or weird?) and wonder which brands you feel are okay to support for items like this.

I’m also vegan and don’t wear any products that come from animals at all, so that makes things even a bit harder than they would normally be.

Any resources, thoughts or tips that you have or are willing to share would be appreciated. Thanks so much for your time and for sharing your writing with the world.

A longtime reader/supporter/fellow queer feminist,


A lot to get into here! Let’s break it down:

Do you just shop thrifted and vintage for everything?

Pretty much. Recently, I have stopped purchasing clothes pretty much altogether – new, vintage, thrifted or otherwise. This is due to a combination of factors: having accrued a wardrobe I know and love over the course of ten years (and staying relatively the same size), working full-time, and researching the (Canadian) fashion industry.

When I was younger, though, my initial draw towards thrifting was largely due to the fact that I loved being able to express myself through fashion – without feeling guilty about spending the small amount of money I had, or the guilt of buying new (creating waste, guilt over $$$) and potentially supporting brands that used sweatshops to produce their goods. When I was about 15 or 16, I had a particularly fierce anti-corporate stance, confident brand boycotts were the most effective tactic to employ. Also, I was never particularly enthused about the idea of wearing the same clothes as my peers.

Later in life, when I was underemployed, I had all the time in the world to thrift… but no money for anything other than food and rent. The funny thing about working a 9 to 5 – Monday to Friday schedule is that my free time doesn’t match up with the hours of the thrift stores in my town, and I just don’t have the time to scrounge the way I did five, ten years ago (as much as I love a good hunt). The small amount of new clothing I own falls largely into the category of “new to me” – mostly thrifted, aside from gifts and/or the occassional irresistible deal.

1940s British War Propaganda

1940s British War Propaganda

This year is also the first time I found myself a tailor. I brought a bag of dresses I had been holding on to but hadn’t been wearing for years because of varying small defects – the hem had fallen out, holes along the seams, etc. After swearing I’d find the time to mend them myself, a friend suggested a local tailor. The feeling of having “new” dresses from simply taking them to a local tailor and paying a small fee? Unreal! Highly highly recommended.

Short version to this question: I mostly buy thrifted and/or vintage, except for shoes and underwear.

Do you ever support some of these brands that you know use unethical business practices if the items are second-hand?

First things first: I think it’s a slippery slope to infer that by purchasing a piece of clothing (whether the item be purchased at their store, or second hand) that you are categorically endorsing everything that company does. This is something people of many varying political perspectives often infer, and it always slightly irks me.

“Support” here is the tricky element. Yes, I have purchased items of clothing from brands whose practices/advertising I despise. There’s at least one Urban Outfitters dress in my closet, and I used to love American Apparel’s thigh-high socks (I say “used to” because they changed designs, and also because I no longer live in a city with an AA store). This reminds me of part of a conversation I had with Jes Sasche back in 2010 about American Apparel. This is probably the clearest example of a brand that supports unions, decent wages for its garment workers… but then has questionable ad campaigns at best… while the company’s founder and CEO is known for sexual harrassing and assaulting models and employees at worst. I asked Jes for her thoughts on it, and it comes back to me quite often:

Me boycotting AA is ridiculous. You show me a fashion line that rocks my disability politics. None of ’em do! I’ll wear what I want to, because my body, like everything else, contradicts itself.

There you have it: how do you define a clothing brand you want to enthusiastically support? You are a fan of the designer behind the brand? Do you buy things that you like, exclusively from companies that represent the same political perspectives as you? These questions are complicated even moreso when we add things like body politics, disability politics, whether you try to buy exclusively vegan, etc.

All of these conversations boil down to the question of how you define “ethical.” The Western conversation is endlessly dominated by “sweatshop = bad” or (often tinged with xenophobia) “jobs overseas = jobs taken away from my country” tone. Let’s dig deeper than that.

Does buying second-hand automatically mean buying “ethically?”

Another conundrum when it comes to second-hand: when you buy from a thrift store, the money does not go to brands or the companies that made the clothing in the first place – it goes to the thrift store or church or organization that is selling it. There are questions there, as a queer woman, about whether or not I want to be “donating” to certain charities that, say, endorse racist, sexist, or homophobic organizations. Those are the bigger questions I ask myself when thinking about where to thrift. But that’s a whole other can of worms…

I should also note: in my case, brand logos are never visible on the clothing I buy (if I were a t-shirts and jeans kind of person, this would be different obviously) so this isn’t really a question I ask myself.

Do you also support newer brands, and if so, have you ever shared which you do in a blog post or on a list somewhere?

Good question. Recently I’ve found myself really interested in Quebec-based brands, and Canadian companies that try to produce clothing – from the designs, to the sewing, to the selling – in Canada. I haven’t done enough research to attempt to compile a list, but that is definitely a project worth embarking on and I’m glad to be asked about this. Do you know of any fashion bloggers that do this? Leave a message in the comments!

Do you have a knowledge base of brands that treat/compensate their employees ethically/don’t contribute to our mainstream warped views of beauty or do you do research before new purchases?

This is another phenomenal question I wish I had the answer to! Generally speaking, I really don’t shop much so this isn’t something I encounter very often. That said, with basic online research skills, this could probably be relatively simple to do. Has anyone come across a resource list like this?

When it comes to vegan items, I’ve gotten most of my tips from friends. I follow some vegan fashion lovers online as well, and keep my eyes peeled. That said, a lot of the things I find in my online hunts are mostly made abroad that are totally out of my price range. Quandries.

You know what helps me though?

Reminding myself I don’t need 99% of this shit.

Untitled, from Everything is Necessary (2012) by Nikita Gale

Untitled, from Everything is Necessary (2012) by Nikita Gale

Capitalism has a way of convincing us our material things are what make us who we are. That the clothing we wear is a reflection of our worth as human beings, especially as young women. I constantly struggle with my affection for fashion and my distaste for the fashion industry. I struggle because of the empowerment I’ve found through expressing myself with my clothing and style, all the while never having the wallet, desire for high-end brands, nor the materialistic drive of someone who would proudly boast the label of clothes horse or “fashion lover.”

At the heart of a lot of these important questions is the challenging the systemic inequities we know exist in the fashion industry. For as long as I’ve loved to get dressed, questions around what impact my consumer choices may have at some point down the line have come up again and again. When I was younger, I was more concerned about the marketing choices and ad campaigns of the companies I bought clothing from. Now, I find myself more concerned about the environmental impact, whether items are vegan or not, whether the person who made the item was paid a living wage.

Capitalism Is The Cri$is

Montreal, 2012

It’s easy to feel like you’re listening to a broken record.

This past month, The Current interviewed a guest who famously made Kathy Lee Gifford cry in 1996. 1996! and he is still involved in trying to find a solution to sweatshop labour!

Worse yet, the situation in some Bangladesh garment factories echoes some of the tragic incidents that took place in North America a century ago. Yes, a century. The importance of labour unions and governments when it comes to corporate accountability cannot be understated. The creation and growth of unions in Canada’s textile factories often meant their closure a decade or two later – namely because companies know they can go elsewhere for cheaper labour. When interviewing countless Canadian fashion industry experts this past November and December, one recurring answer to this question kept coming up: people, especially but not only young women, have become accustomed to owning and wearing more clothing and paying less for it.

Asking questions about which companies pay their workers – along every step of the way – a living wage, and generally operate in an ethical manner is important. Some answers are easier to find than others. In the end, my answers for Dawn aren’t very conclusive. In short, the Internet is a great resource. Thinking critically is important. Check your sources. Ask questions.

La majorité, c’est vous

Keep the pressure on. Contact the companies you do support, recommend them to your friends. Contact the stores you think have the most egregious errors, let them know why you won’t shop there.  Don’t forget to look at the big picture. And keep fighting the good fight.

Recommended Reading:


Filed under fashion, politics, shopping, Uncategorized

great things on the internet these days

sorry for the radio silence ’round these parts these days! it just so happens i’ve been busy elsewhere these days… in the best of ways. more on that later, but in the meantime here are some links to tide you over. i participated in kickaction!’s 2012 blogging carnaval, writing about how fashion can reflect your politics and your identity. it was fantastic to participate in a great canadian (bilingual) project, and kind of cathartic to write about fashion in a kind of basic way again. read it here, and let me know what you think! there are tons of other great posts too if you feel like poking around and doing some reading.

it also gave me an occasion to post some old photos of teenage me thrifting in small town ontario. those were the days …remind me again why i didn’t buy that awesome one piece jumpsuit?

screencap of the cultural cringe by clem bastow

moving on! a few days later, andrea, my best australian internet friend, came across this article… which happens to quote me! clem bastow blasts the mulleavy sisters for yet another misstep in the terrible vogue of cultural appropriation. a great read i am proud to be quoted in.

i love her final point the best:

…that’s the great thing about fashion: those of us who love it know it doesn’t have to be shallow, culturally insensitive or offensive. Involve yourself in cultural appropriation for the sake of being on-trend and you make yourself all of those things.

i’ve been hesitating to write about this topic again, largely because the conversation is so exhausting, but lately it really feels as though people need a reminder as to why it’s a shitty thing to do. if you follow me on tumblr, you know my tone is going to be either irrational rage, or utter dismay and cynicism when talking about interacting with folks who unapologetically culturally appropriate. what bastow hits on that fills me with hope, however, is that basic encouragement: just because something is trendy in fashion does not make it okay. having conversations about privilege and racism are super important, and hopefully the more people talking about these issues online means more people will think critically about these issues when they go shopping.

it’s also interesting to think of the parallels between the way the australian government treated it’s aboriginal people, and how the canadian government treated its first nations people – but that’s a whole blog post in and of itself, isn’t it? if you’re interested in the latest take on cultural appropriation from a canadian context, i highly recommend Icewine, Roquefort Cheese and the Navajo nation by Chelsea Vowel over at apihtawikosisan.

last but not least, i complained about this on tumblr but felt it deserved a better conversation space. the gracious folks over at shameless magazine let me air my greviances on their blog about what feminist messages get shared online, and which don’t:

I’m critical of the fact that this is the kind of pervasive “feminist message” that gets out there – and that sticks. There is so much space for posts like these ones, of relatively little substance with cheerleading slogans, celebrating white, straight, cis-gendered women, and very little space for real conversations about the work that feminists need to do to be inclusive, and intersectional. I’m talking about bell hooks’ definition of white supremacist capitalist patriarchy, because from what you see on tumblr, these posters really only seem to be challenging the “patriarchy” part of the formula. Which needs to be challenged, indisputably! But it’s not enough to JUST challenge the patriarchy, over and over and over.

please go read it, and comment over there. i’d love to talk more about my ideas on these issues.

so! in short, as you can see i’ve been writing about a whole range of feminist issues these days, not all pertaining to fashion. i have lots of great posts more centered on specific questions about fashion in the works for the spring, ranging from the standard outfit posts to an update on the two year anniversary of the critical fashion lover’s (basic) guide to cultural appropriation.

thanks for reading!


Filed under currently, links, personal, Uncategorized

what you’ll never find at à l’allure garçonnière: red carpet fashion reviews

as most of you know, i’m on tumblr. for the most part, i like to follow critical feminist tumblrs that often post interesting photography, great quotes, links to interesting fiction and non-fiction, and so on and so forth. i discover a lot of inspirational and amazing things via tumblr. but sometimes, as in the rest of my (internet or everyday) life, there are moments where i feel… shall we say… alienated?

one of those particular times is during what i refer to as “peak pop culture moments:” a long-running television series comes to an end, a celebrity who i have never heard of does drugs and it is a BIG. DEAL, an a-list couple gets divorced, etc. many critical people love their fair share of pop culture, and i’ll give ’em that. that’s cool. i mean, i’m not going to lie; it’s often strange for someone like myself, who doesn’t own a television and consumes relatively little mainstream culture, to see images of mainstream media sandwiched between an audre lorde quote and calls for safe and legal access to abortion services. but it’s cool! i mean no judgement by acknowledging its existence. the point of this post is not to call out feminists who are attempting to marry their love of america’s next top model with their criticisms of the modelling industry and body policing. (all of this reminds me of teresa chun-wen cheng’s zine, dirty (un) feminist secrets).

image of the cover of a zine by teresa chun-wen cheng. it reads dirty unfeminist secrets and is a drawing of an "upskirt" photo

but! what i do want to talk about is what i find potentially most alienating about pop culture. no, it’s not beauty pageants (they seem like this incredible archaic vestige of gender norms and femininity whose allure i cannot deny… plus, have you seen drop dead gorgeous?) no, it’s not that: it’s award shows. more specifically, the red carpet that happens before an awards show.

award show red carpets are perhaps, in fact, the pinnacle of what i loathe about pop culture, and what i cannot for the life of me every bear witness to without feeling ill and generally an overwhelming feeling of alienation. since the golden globes happened earlier in january, and now with the oscars happening today, i know regardless of whether i care or not, i will be seeing what celebrities wore and i keep on trying to put my finger on exactly why they bother me so much… so here is me trying in words.

when the entertainment television shows and blogs were abuzz with who wore what on the red carpet of the golden globes this january, it was martin luther king jr. day in the states. of course, they weren’t only talking about what people were wearing; this year, the most talked about topic was probably how many people host ricky gervais offended with his jokes… and i think some people won some awards for some stuff? but that doesn’t really matter. the stories we talk about after the trophies are handed out, however, are who was wearing what. but this is my problem: people aren’t talking about clothing. rather, more often than not they are actively engaging in really shitty body policing and shaming attitudes that masquerades itself as fashion commentary. and we are the ones consuming it.

[image description: an artistic installation made with pink neon lights. the word "beauty" is spelled out, but the lights blink to light up two words in that one word: "buy" and "eat"] (if anyone knows the name of this artist please let me know!) operations are standing by by jean bevier

the body shaming/policing

for those uninitiated few, the basic premise of the red carpet is as follows: have the stars and creators of hollywood movies arrive so they can be photographed for the press before going into a theatre to watch their movies. this of course has extended to award shows, and expanded from its originally small hollywood publications and radio, to television and the internet. (sidenote: i would source these statements if i could but when you google “history of the red carpet + awards shows” most of what you find is a bunch of celebrity gossip about who wore what. how apropos.) today, in 2011, we broadcast the red carpet on television, and talk about who wore what in as many media as possible. the main commentary is still made by a few paid “red carpet reporters” whose job it is to yell the names of celebrities until they look in their direction, in an attempt to get a moment of their time and find out what brand they are wearing, who did their hair/makeup, and how expensive their jewelry is.

we, the viewer, are encouraged to make judgements about who is the best dressed and who is the worst dressed. there are always, of course, unspoken rules about what clothes are “appropriate” for the red carpet and/or suited to the celebrity’s “body type.” this is where we get into the territory i find murky and uncomfortable.

think about the language used when a joan rivers type is describing what someone is wearing. think about it as you’re watching or reading red carpet coverage of the oscars today. joan rivers is known for being unforgiveably mean when panning fashion choices on the red carpt. in once case, she describes a dress as “fashion birth control” because, of course, women only dress to be perceived as fuckable (by men, of course) ((this is namely my problem with the entire concept of the man repeller but that is another blog post)). not to mention who is assigned to be a red carpet reporter; namely comedians, “celebrity reporters,” and in more recent years (gay) male fashion designers. this propagates a culture where a “reporter”/fashion designer can grope a woman’s breasts without her permission, and it’s alright (well, not quite alright if you actually ask the person who was groped – NSFW link). and of course this is often argued that it’s to “touch the fabric” or see how the dress is built, where it is simply reinforcing the idea that women’s bodies are accessible at all times. for the purposes of my critique, i’d argue that there is very little differentiation made between what a person is wearing and what that person’s body is like or worth, and this touchiness speaks to that question. but also, we must think that using language like, “that dress/that fabric did her no favours,” or “someone with her body type should not wear that cut” is simply policing people’s bodies masquerading as fashion commentary. sure, short and fat people are permitted on the red carpet, but only if they wear things that give the illusion that they are tall and thin.

a picture of anne hathaway on the red carpet in In Style magazine. the title reads "who owned the red carpet in 2010?"

an article that adequately represents this point is sarah nicole prickett’s article in Eye Weekly, January Jones and the slutty double standard. while her article calls attention to how the mainstream media villifies and makes assumptions/shames a blonde white woman’s sexuality based on what she is wearing (not only is she wearing red, but she is showing cleavage! and even sideboob!), i definitely disagree with prickett’s conclusion that it is easier for mainstream media outlets to villify a thin white woman than a “hugely abnormal” body type like that of her co-star, christina hendricks. just another example of how women are consistently pitted against one another; we cannot defend a thin blonde woman from being called a slut without criticizing a large busted woman of being out of control.

actress christina hendricks having a cigar lit by a young man, with the quote "i'd be honored to bring curves back"

reporters like joan rivers and the internet/blog equivalent, go fug yourself.com, set the standard for mean-spirited attacks on what celebrities wear on the red carpet, and often turn them into personal attacks; if helena bonham carter wears two different coloured shoes and have a big hairstyle, not only does she LOOK crazy, she must BE crazy. replace ableist word with a sexist one (slutty, whorey, old, etc.) and the point remains the same. but here’s an interesting twist on this entire discussion: celebrities have very little say in what they wear at public events like these. there are entire teams and industries built around what an a-list actor will wear to what event. which leads me to my next point:

the illusion that what celebrities wear represents who celebrities are.

red carpet culture encourages us to convince ourselves that if we like what an actor is wearing, we like the actor themselves. and this is fair enough; how many people have gotten really excited when making a friend who is not only stylish, but wears the same size shoes as you? so can you imagine fantasizing about that with a celebrity who has endless access to all kinds of high-end fashion designs? we might OMG I DUNNO like share each other’s closests! you could borrow my thrifted lanz dress that sarah jessica parker wore, and i could wear your alexander mcqueen SS05 dress! (don’t even pretend like you don’t wish you could wear a fucking carousel for a dress, you know you want to)

i feel like i totally understand why this happens, and would be lying if i said i didn’t fall into this fantasy camp at times (hello michelle williams, tilda swinton, etc…). but i feel like it is important for us to acknowledge all of the capitalist/industry planning that goes into these kinds of events. but i think it is important not to lose sight of the main reason the red carpet takes place: to set trends, and most of all, to sell dresses.

consumerism/capitalism as fashion/style

the first question red carpet reporters who is wearing what brand. that’s because the viewer is supposed to take note, and suddenly have the amount of money required to purchase a designer dress (not to mention have an occassion to wear it to). okay, fine, that’s an exageration, but it’s not far off. in reality there is an entire industry of high-fashion knockoffs which will pick a handful of the “best” dresses to replicate and sell in department stores. yes, sometimes “the dress of the season” might be a dress from an actual film (most recent example, kiera knightely’s 1930s style green gown in Atonement and all of its knockoffs) but for the most part, this happens on the red carpet. the dress that is deemed “the best” is most often simply the most universally neutral, inoffensive. as soon as the celebrities have paraded down the red carpet, the knockoff industry is sketching out designs and getting ready to peddle those dresses to the future prom queens only a few months away. this is something i could go into at length but i’ll just leave it at that: the red carpet makes money for the fashion industry at many different levels. there is certainly an exorbitant amount of planning that goes into deciding which actress wears what dress, including contracts and free swag and ad campaigns. to me, reducing the fun of dressing up into a business opportunity kind of bums me out. i understand that this is how it works, but i dislike how it doesn’t necessarily present itself as such.

see, i love to get decked out to the nines with my friends and prance around, work it for the camera, tell people it’s Thrift Store Haute Couture circa 2006. and i mean, yeah, i’ve definitely seen garments on the red carpet that i would love to wear myself, and i do quite enjoy the escapism permitted in wearing (or fantasizing about wearing) extravagant, over the top clothes. but when it happens within this specific context, i feel like so much of what it represents is just straight up, inexcusably oppressive. for example, the fact that someone can’t show up with hairy legs or armpits without it being the talk of the town the next day. i have vivid memories of this being ingrained in  my mind as a young girl in the 90s – remember the kerfuffle when julia roberst dared to not shave her armpits (or hell, maybe even just forgot to) and where a sleeveless dress back in 1999? what a shitshow.

Julia Roberts at the London red carpet premiere of Notting Hill, 1999. She is waving to a crowd behind a reporter and we see her armpits aren’t shaved.

on top of enforcing those “beauty” norms (thin, all potentially visible body hair removed, falling within a narrow definition of what is acceptable/appropriate), the red carpet also offers us of a visual showcase that hollywood is white, straight, polished. the sea of white actors, reporters, and handlers on the red carpet is kind of astonishing when we think of the racial makeup of the city of los angeles itself. even worse, when there are people of colour, and when the media talks about the handful of actresses who happen to a colour of skin other than white, the media constantly exoticizes them. “latin siren” sofia veraga “flaunts her famous curves” at the golden globes this year. in fact, i’ve never heard of her purportedly “famous curves.” i have heard she’s the best part of a sitcom called modern family, but no, she is latina so she must be famous for her goddamn curves. think of the way you’ve heard any number of women of colour described on the red carpet; penelope cruz as voluptuous, salma hayek as fiery or sensual, jennifer lopez as bodacious. it begs the question, what is worse? the complete erasure of people of colour in Hollywood, or their constant tokenization and exoticization when they are present?

vanity fair cover 2010

a perfect (terrible) example of how white-washed hollywood is: the cover of vanity fair’s 2010 “new” hollywood issue, the year gabourey sidibe (a fat black young woman) was nominated for best actress at the academy awards.

you may have noticed that throughout this entire tirade (sorry, it’s come to that) that i have not mentioned very many people of the male persuasion. this was not unintentional; it reflects the kind of culture the red carpet breeds. yes, women and men (and people all across the gender spectrum but there is very little place for us to talk about that in a hollywood space) wear clothes, but it seems that it is only “fashion” when it is on women’s bodies. men are present, but they aren’t the main show. of course, we will make a passing comment here and there about male actors’ suits, but it is not nearly in the same vernacular or tone as the way we talk about women’s fashion choices. for the most part, red carpet reporters comments will lean towards the “clueless men of the real world! take note of how great this ridiculously rich celebrity dresses, and take a lesson.” men are given a short passing glance, because at the end of the day it is easier and more socially acceptable (i would even argue socially encouraged) for us to tear down women’s bodies and fashion choices.

it’s just so strangely muddled: we so often argue that “clothes make the man,” that our clothing is an outward representation of who we are and what we’re about. but when it comes to what celebrities wear on the red carpet, it is about what we are being sold. what image is this actress portraying by wearing a plunging neckline? what role should that actor be cast for when he is wearing a very stiff expensive christian dior suit? there are so many other aspects i could get into: the fact that whenever the celebrities are asked their honest opinion, many complain of the discomfort of wearing 4 inch heels, the terrible fear of potentially losing half a million dollars worth of jewelry, how they had disordered eating for weeks beforehand in order to fit into a sample size. the behind the scenes of this fantasy land beauty factory is of course really, really ugly.

aside from that, i just get really grumpy about the way the mainstream media talks about fashion. describing a dress as “romantic” or “elegant.” and seriously, do you EVER describe any of your friends outfits as “breathtaking?” do they look “radiant” or do they positively “glow” when wearing thousands of dollars worth of conflict diamonds? can we just stop? not to mention the way fashion reporters talk about pregnant women’s bodies. for the record! now and forever! may it be established! NEWSFLASH: a pregnant woman’s belly is not a BABY BUMP. IT’S A FUCKING PREGNANT BELLY. if we want to get really accurate about this shit we could call it a FETUS BUMP or a UTERUS ENGORGED BY ITS CURRENT HOUSING OF A FETUS BUMP.

so at the end of this rant, i feel like i can wrap up my feelings in some manner. tomorrow after the oscars, people might ask me, a known lover of fashion, who i thought was the best dressed on the red carpet. i can never answer that question. it doesn’t matter what my answer is. i feel like no matter what i say, i would be participating in a side of fashion i’ve always hated the most: the elite, classist universe of hollywood’s relationship with the fashion industry. that’s it. the reason i dislike red carpet culture so much (and have devoted many hours to writing and researching this article) is because it represents the exact opposite of what i love about fashion. the red carpet sets the “trends” for the masses, dressing an elite largely homogenous group of people in a palatable boring representation of glamour, beauty, and wealth. those “trends” fall into categories such as: strapless, knee-length, beige/”nude”, or the “long sleeve” as is the purported case with this year’s golden globes. to me, that isn’t fashion. that is business. that is capital. what fashion really is to me is revolutionary. it is throwing off the shackles of prescribed trends and the idea that you can (and should) buy style. it is saying fuck you to that. it is representing yourself, your identity, however complex or simple that might be. it is being playful, it is storytelling. and at the end of the day the only thing i feel like a red carpet dress is trying to tell me is that my body isn’t acceptable, my friends bodies aren’t acceptable, i’m too poor to afford to look that good or glamourous… and who wants that? not me.

PHEW. well. if you’ve stayed with me until the end, you deserve a little high-five or something. this is something i’ve wanted to get off my chest for a while now. to end off, i’ll leave it to you, dear patient readers: do you have a way of reclaiming red carpet culture? do you think i’m totally off-base with these critiques? will you be watching the red carpet of the oscars tonight, and what will you get out of it? i’d really like to hear how other people feel about this.

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Filed under pop culture